All the oil paintings of PUGET, Pierre

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ID	Image	Painting(From A to Z)	Details
43584		Great Vessel of War	28 x 41,8 cm
43590		Navigation before a Promontory	20 x 23,4 cm
8688		Portrait of the Artist's Mother af	1651-55 Oil on canvas, 60 x 50 cm Private collection, Nimes
78464		Self portrait	17th century Medium Oil on canvas cyf
8694		Self-portrait ag	1668-69 Oil on canvas, 47 x 38 cm Mus??e Granet, Aix-en-Provence
8695		Self-portrait in Old Age af	1690-92 Oil on canvas, 75 x 61 cm Mus??e du Louvre, Paris
8689		St Peter Holding the Key of the Paradise sg	1653-59 Oil on canvas, 183 x 87 cm Parish Church, Grandcamp
43598		Study of a Horse	34,5 x 27,7 cm
8698		The Education of Achilles by Chiron ar	c. 1690 Oil on canvas Mus??e des Beaux-Arts, Marseille
8693		The Holy Family at the Palm-tree g	1662-63 Oil on canvas, 210 x 140 cm Private collection, Aix-en-Provence
8690		The Sacrifice of Noah f	1654 Oil on canvas, 92 x 62,5 cm Mus??e des Beaux-Arts, Marseille
63832		The Stoning of St Peter	1654 Terracotta, 38 x 51 cm Mus?e des Beaux-Arts, Marseille The fragment (the upper part of the relief is missing) was probably a study to a panel of an unidentified altarpiece. The iconography of the relief is related to the painted versions of the subject executed by the Genoese painters of the 17th century, notably Giovanni Andrea Ferrari and Gioacchino Assereto.Artist:PUGET, Pierre Title: The Stoning of St Peter Painted in 1651-1700 , French - - painting : religious
8692		The Visitation (detail)	1659 Oil on canvas Mus??e Granet, Aix-en-Provence
8691		The Visitation af	1659 Oil on canvas, 252,5 x 173,5 cm Mus??e Granet, Aix-en-Provence
43587		Two Vessels under Sail	33,3 x 51,1 cm
43583		Vessel Firing a Salvo	41 x 64,5 cm
43588		View on the Sea Time	27,2 x 44,7 cm
8696		Virgin Giving the Scapular to St Simon Stock sg	Oil on canvas, 78,5 x 53,5 cm Mus??e des Beaux-Arts, Marseille

PUGET, Pierre
French Baroque Era Sculptor, 1620-1694 French sculptor, painter, draughtsman and architect. Puget was one of the outstanding artists of his century, but his style, formed by the Italian Baroque, did not however always find favour in the classicizing atmosphere of the French court, where Jean-Baptiste Colbert would describe him in 1670 as 'a man who goes a little too fast, and whose imagination is a little too heated'. Although the son of a master mason, Simon Puget (d 1623), Puget was largely self-taught, as were his brother Gaspard Puget (1615-after 1683), an architect, and his son Fran?ois Puget (1651-1707), a painter. Apprenticed in 1634 to a wood-carver, Jean Roman, in Marseille, he left in 1638 for Italy, spending some years in Florence and Rome close to Pietro da Cortona, presumably as a stuccoist and painter, although his part in the decoration of the Palazzo Pitti, Florence, Cortona's main project of these years, is not clear. From 1643 he practised sculpture and painting at the Toulon Arsenal, France's largest naval shipyard, where he was appointed to the wood-carving workshop: around 1645, for instance, he designed and supervised the decoration of the ship Le Magnifique (in 1646 renamed La Reine; destr.). According to some sources, in 1646 he made a second journey to Italy,